Disappointed with Generation X's demise, Idol relocated to New York City, where he pursued a career as a solo artist. Hooking up with Kiss manager Bill Aucoin, Idol issued the 1981 EP Don't Stop (comprised of a cover of Tommy James' '60s hit "Mony Mony" and a pair of remixed Generation X tracks), which helped the singer score another record deal with his former band's label, Chrysalis. Idol found the perfect collaborator and partner in guitarist/Johnny Thunders look-alike Steve Stevens, and issued a self-titled debut in July of 1982. A pair of eye-catching videos for the tracks "White Wedding" and "Dancing With Myself" (the latter a remake of a Generation X composition) scored major air time on MTV, with both clips focusing in on Idol's spiky, peroxide blonde hair and Elvis-like sneer. The debut eventually obtained gold certification, and set the stage perfectly for Idol's big commercial breakthrough, 1984's Rebel Yell.

Rebel Yell became the singer's best-selling album of his career (eventually going double platinum), spawning such big-time MTV/radio hits as the album's anthemic title track, "Eyes Without a Face," and "Flesh for Fantasy," establishing Idol as an arena headliner stateside. But with massive success came its many distractions, which prevented Idol from issuing a new studio album until three years after Rebel Yell. 1987's Whiplash Smile was another sizeable hit on the strength of such hits as "To Be a Lover" and "Sweet Sixteen," but failed to live up to the lofty expectations set by his previous releases. Stevens jumped ship shortly thereafter to launch his own band, Steve Stevens' Atomic Playboys (and eventually was a member of Mtley Crue singer Vince Neil's solo band), leaving Idol to fend for himself.